Content Day
One day on-site, three vertical cuts plus still selects.
- Up to 10 hours on-site
- 3 vertical cuts, each 15 to 45 seconds
- 20 still selects for Stories and feed
- Delivery within 7 days
- Organic social usage included
Content Production
Short-form social content for festivals, brands, and artist teams. Produced on-site, cut vertical, and written to sound like a human made it, because one did. Sony A7 IV for the look, DJI Pocket 3 for the handheld intimacy, Adobe and CapCut for the edit. Scoped paid-ad usage available.
What You Can Hire Me For
These are the content shapes I produce on festival ground. Mix them for your brief.
How to Hire
These are the shapes most content briefs take. Every scope is quoted to the project.
One day on-site, three vertical cuts plus still selects.
Two to three days of content with a hero recap and daily cuts.
If you already have the footage. Hooks, cuts, and captions for ads.
Transparency
Content pricing in this field moves a lot based on scope. These are the levers that change a quote. Published rate ranges for music UGC fall between $150 and $800 per video depending on format, with meaningful adjustments for the pieces below.
Figure guidance based on industry benchmarks. Your actual quote is written to your scope.
Where This Comes From
I shoot festivals the way you want them shot: pit-level moments that read as editorial, cut for the vertical feeds your audience actually opens. Credits include coverage of BottleRock Napa Valley with work published in PEOPLE Magazine, plus independent festival coverage across New Orleans Jazz Fest, Hardly Strictly Bluegrass, and more.
If you want to see the editorial side, the Stories section carries writing and photos from recent festival work.
Common Questions
Both, depending on the brief. On a brand or sponsor activation, this is professionally produced content you have paid for, and it is described that way. I do not frame paid work as an unsolicited customer post.
The standard day package is three vertical cuts plus still selects. Hook variants from the same footage, longer edits, and faster turnarounds are scoped as add-ons.
Yes, if you brief me, give me the handoff credentials or scheduling access, and sign off on the voice. Posting from your handles is a separate scope line from producing the content.
Only if we build it into the scope and your campaign fits the audience. Posting from GITP is treated as audience sponsorship, not content production. See the audience sponsorship page.
Base scope covers organic social on your channels. Paid-ad usage is an add-on, generally scoped by duration and spend window. Raw files and creator-account posting from my handles are separate line items as well.
Only if you want it to. Festival content moves best when it reads as human first, brand second. We align tone in the brief, keep brand touchpoints inside what the format can carry, and avoid templates.
Start the Conversation
Send the brief. I read every one and reply within two business days. For a festival with a close deadline, mark it in the message.
Or email girlsinthepitpodcast@gmail.com